Carole King brought the fledgling singer/songwriter phenomenon to the masses with Tapestry, one of the most successful albums in pop music history. A remarkably expressive and intimate record, it's a work of consummate craftsmanship. Always a superior pop composer, King reaches even greater heights as a performer; new songs like the hits "It's Too Late" and "I Feel the Earth Move" rank solidly with past glories, while songs like "Will You Still Love Me Tomorrow," and "(You Make Me Feel Like) A Natural Woman" take on added resonance when delivered in her own warm, compelling voice. With its reliance on pianos and gentle drumming, Tapestry is a light and airy work on its surface, occasionally skirting the boundaries of jazz, but it's also an intensely emotional record, the songs confessional and direct; in its time it connected with listeners like few records before it, and it remains an illuminating experience decades later.

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Ruby Andrews-Black Ruby (1972)
Hard to find album of Ruby andrews on zodiac. And as she wrote on the cover "All rubies are not red". Recorded at universal Studios, Menphis.
 Ruby Andrews' two albums on Zodiac in the late '60s are easily some of the best, strong-armed soul recorded by any woman in the era.
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The music contained in this album is the happy result of a meeting of Brazilian bossa nova stars and American jazz musicians. Sergio Mendes, the young man who graces the cover of this LP is one of the brightest talents to emerge from Brazilian music circles. He possesses a crisp piano style that clearly dominates all of the performances in this album. The clarity of Sergio's musical thought is always apparent whether he is soloing, playing ensemble or accompanying someone else's solo. In addition he inspires some of the finest work on records by the well known jazz performers, Art Farmer, Phil Woods and Hubert Laws." Sergio moved from Brazil to New York to work as pianist with Antonio Carlos Jobim and Art Farmer (amongst others).

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The Animals' second British album, recorded just before Alan Price exited the lineup, displays far more energy and confidence than its predecessor, and it's fascinating to speculate where they might've gone had the original lineup held together. There are a few lightweight tunes here, such as "Let the Good Times Roll" and the rollicking opener, "Mess Around," that capture the Animals loosening up and having fun, but much of Animal Tracks is pretty intense R&B-based rock. "How You've Changed" is a reflective, downbeat Chuck Berry number that Eric Burdon turns into a dark romantic confessional/inquisition, matched by Hilton Valentine's chopped out, crunchy lead work over the break, while Alan Price does his best to impersonate Johnnie Johnson.

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The folk singer-songwriter Judy Collins was born in Seattle, Washington in 1939. She studied classical music as a youth but influenced by the music of Woody Guthrie and Pete Seeger. During the traditional folk revival in the early sixties, she learned the guitar, moving to New York where she eventually got a record contract.

She released her first album in A Maid of Constant Sorrow in 1961.

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Givin' It Back is as much a time capsule as an album. Not that it can't be enjoyed on its own absolute musical terms by someone just off a boat who wasn't even around in 1971, but to really appreciate how daring it was and how delightful it is, that side of its history should be known.

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Canadian Hippie Folk from 1976. Excellent music for the road, this rare and hard to find album is a perfect example of folk and rock made by a bunch of hippies in the seventies.

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Indian Summer is the  Only Album by the American Psychedelic-Progressive Blues Rock Band Panama Limited.

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The Spencer Davis Group were one of the UK's most convincing R&B bands to emerge during this period. They were best known for introducing a prodigious teenager, Steve Winwood, to the world. It was apparent from their first record that Winwood, with his ferocious soul drenched voice, belying his tender sixteen years, would be the focal point of the group.

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In 1967, a group of English lads formerly known as The Shots turned out one of the defining moments between the beat sounds warped by mid-Sixties mod bands, and the all important sounds of British psychedelia. Blistering guitar lines, and one single line of the lyric, which opened their most famous song:"My friend Jack eats sugar lumps"
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