(1968)

One of the earliest and finest jazz-rock flutists, Jeremy Steig is an outstanding soloist. He's mastered the entire flute family, including bass, and also plays piccolo well. He has a similarly rich, classically pure tone and timbre as James Newton or Hubert Laws, and uses almost as many devices, such as tongue fluttering, humming, and swirling lines. But he's not as blues- or swing-oriented, and his associations include working in the early '60s with Richie Havens and heading Jeremy and the Satyrs in 1967.

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The group used slightly fuller and more pop-savvy arrangements on their second LP, without tinkering much with their basic approach. This is especially apparent on the album's two hit singles (the title track and "Look What You've Done"), which sound like attempts to invest coffeehouse folk with the grandiose pop-rock structure of "You've Lost That Lovin' Feelin'." The similarity of both tracks to that Righteous Brothers classic is really too evident to escape comment, especially given that the trio had covered the song on their previous album. Elsewhere they opted for more up-to-date cover material than they had for their debut LP, offering versions of songs by Phil Ochs, Tim Hardin, and Gordon Lightfoot. (1967)

Enjoy:http://www.mediafire.com/download/pi737rzm1a0r5gl/I+Can+Make+It+With+You.rar

The Artwoods’ only album was an enjoyable mixture of club-oriented soul, R&B, and jazz with a strong organ spice, although it found them falling seriously behind their contemporaries in the British R&B scene in a crucial respect. Art Gallery album Not one of the dozen tracks was a group original, and their vocal and interpretive ability was not so strong as to make that shortfall an irrelevance.(1966)

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Black Merda were a funky rock combo with a significant debt to Jimi Hendrix, mixing fuzz-toned, psychedelic blues-rock with folky acoustic passages and contemporary late-'60s soul.

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HARVEY MANDEL -- SHANGRENADE -- 1973 (US) jazzy funky rock
One of his most brilliant and most original creation since leaving Canned Heat.
There are original licks and riffs there, which were copied, immitated or inspired many other greats from Jeff Beck, to Al Di Meola, to Jan Hammer.

Enjoy:http://netkups.com/?d=758862469fcf2

Here’s a terrific private press rarity that’s completely fallen under the radar. It’s way better than multi-hundred-dollar singer-songwriter/folk-rock/soft pop rarities like Richard Soutar or Mick Stevens and the entire brigade of albums inaccurately compared to Michael Angelo. Like all of those records, there’s scant amount of fuzz guitar or trippiness here. But there’s some excellent lead guitar, occasional use of hippie instruments like conga and flute, a bit of moog, unusual chord progressions and thoughtful, intelligent songwriting to go along with the requisite vocal harmonies and acoustic guitars. It’s also much less wimpy than your average CSN-influenced private press album. The highlights are “...and dream,” which has some great lead guitar, and “Eye to eye,” which rocks out (and, admittedly, veers a tad toward prog). The rest of the album is quite good too. Neat album cover; you’d think that alone would have attracted attention to it. Snap it up quick before it gets discovered and the price balloons. About 1500 copies were pressed. [AM]
Stephen Spano - Eye to Eye (Adelphi, 1975)

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Blues Section is considered a seminal and ground-breaking band in Finnish rock music. They started in 1967, formed around the vocalist Jim Pembroke, a British expatriate song-writer now living in Finland.

Blues Section - Blues Section (1967)

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We Five-You Were On My Mind(1965)

folk-rock

Enjoy:http://www2.zshares.net/o9r96tishgcs

Willie Hutch-The Mark Of The Beast ( 1974)

Soul, Funk

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AZTECA, formed in 1972 in Oakland, was the vision of brothers Coke and Pete Escovedo following their successful time playing along side Latin-funk trailblazers, Santana. They are widely regarded to be the first large-scale group that combined multiple musical elements centred around and built as a Latin orchestra.

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