Second album by the farm community also known as the Farm Band. From Tennessee, a perfect hippie combo that lies somewhere Second album by the farm community also known as the Farm Band. From Tennessee, a perfect hippie combo that lies somewhere between the Grateful Dead and Jethro Tull, performing long psycho blues suites with flute and violin solos. Featuring the original artwork which a poster and inlay notes about the history of the community.

between the Grateful Dead and Jethro Tull, performing long psycho blues suites with flute and violin solos. Featuring the original artwork which a poster and inlay notes about the history of the community.
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Enjoy

Colosseum are a great band to listen to if you want to hear a quintet of brilliant blues and jazz musicians stumbling around to create nascent progressive rock (not that that's likely to be a term that ever occurred to them at the time). Formed by Graham Bond Organisation and John Mayall's Bluesbreakers veterans Jon Hiseman (drums) and Dick Heckstall-Smith (Saxes), Colosseum also included lead vocalist/guitarist James Litherland, bassist Tony Reeves and organist Dave Greenslade.

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Anne Briggs is a folk album released in 1971 by Anne Briggs. The songs are traditional apart from two Briggs originals, "Go Your Way" and "Living By The Water".

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It is strange to realize that drummer Pete La Roca only led two albums during the prime years of his career, for this album reissue of his initial date is a classic. La Roca's three originals ("Basra," which holds one's interest despite staying on one chord throughout, the blues "Candu," and the complex "Tears Come From Heaven") are stimulating but it is the other three songs that really bring out the best playing in the quartet (which is comprised of tenor saxophonist Joe Henderson, pianist Steve Kuhn, and bassist Steve Swallow in addition to La Roca). "Malaguena" is given a great deal of passion, Swallow's "Eiderdown" (heard in its initial recording) receives definitive treatment, and the ballad "Lazy Afternoon" is both haunting and very memorable; Henderson's tone perfectly fits that piece.

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The Soul Survivors' only giant hit, "Expressway to Your Heart," was one of the first notable productions by Philadelphia wizards Kenny Gamble and Leon Huff in 1967. Although they were white, The Soul Survivors adopted a convincing R&B sound for their early singles on Crimson. Gamble and Huff loaded "Expressway to Your Heart" with honking horns and other automotive sound effects, but the record's principal strength lay in its soulful vocals and pounding beat. After a less successful follow-up, "Explosion in Your Soul," the band faded but returned for one more hit in 1974.
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The country-rock group known as the Lewis & Clarke Expedition evolved out of several folk bands operating around Los Angeles during the mid-'60s. Formed by Dallas songwriter Michael Martin Murphey (under the guise of Travis Lewis) with Owen Castleman (performing as Boomer Clarke), the band recorded one LP in late 1967 for the Colgems label then making pots of money off sales of the first two Monkees albums. Not quite a coincidence then, that Lewis, Clarke, and bassist John London were all old friends of country-minded Monkee Michael Nesmith (London even worked as Nesmith's stand-in on the television show).
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Make Hart
Great singer who had a 1969 album "Mike Hart Bleeds" on John Peel's Dandelion label.

This was Brian Auger's proper solo debut album. It's billed to Brian Auger & the Trinity, but Julie Driscoll, who sang with Brian Auger & the Trinity on the act's most popular and best late-'60s recordings, is not present. Auger dominates the record not just with his organ, but also as composer of most of the original material, and as the vocalist. Auger was a good organ player, but not up to the level of the best British rock electric keyboardists of the 1960s, like Alan Price, Rod Argent, Graham Bond, and Vincent Crane.

He's also no more than adequate as a singer and songwriter, and the record is only adequate, sounding like a more progressive-minded Georgie Fame. Auger's principal influences are obvious in the songs he covers by Booker T. & the MG's, Wes Montgomery, and Mose Allison, although there's also an odd version of "A Day in the Life" that is bolstered by an orchestra's worth of horns and strings.

 
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Non-Stop was the third album in two years to be released under the Box Tops name. Like its predecessors, it was in reality mostly a product of the staff at Chips Moman's American Sound Studio in Memphis, produced by Dan Penn and featuring the studio's experienced session musicians (mostly guitarist Reggie Young, bassist Tommy Cogbill, drummer Gene Chrisman and keyboard men Spooner Oldham and Bobby Emmons). Alex Chilton was the lead singer, but the rest of the band were practically nowhere to be found as they were busy touring.

Like the other Box Tops albums, it was a brilliant showcase of the sounds and songs of the American team, mixing rock, pop, blues, soul and country. It included covers of Hank Snow's "I'm Movin' On", BB King's "Rock Me" and Mac Gayden's "She Shot A Hole In My Soul", along with some good new originals.

 

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He didn't retire though, as in L.A. he met a Danish harmonica player called Lee Oskar. They got on well, and started performing together whilst looking for musicians to put a new group together with. They came to the attention of producer Jerry Goldstein, who helped them in their search by directing them towards a black R&B group known as The Nightshift. They were an eclectic group of musicians, with a great deal of jazz and latin influences which made them stand out from the average R&B band. They joined with Burdon and Oskar, and adopted the unusual and memorable name War. The full lineup consisted of Burdon (lead vocals), Oskar (harmonica), Lonnie Jordon (keyboards), Howard Scott (guitar), B.B. Dickerson (bass), Charles Miller (sax & flute), Harold Brown (drums) and Papa Dee Allen (percussion). An eight-piece, multi-racial, multi-cultural group, with a shared background in rock, pop, blues, R&B, jazz and latin music, they were destined to be something different from the start.

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