The Artwoods’ only album was an enjoyable mixture of club-oriented soul, R&B, and jazz with a strong organ spice, although it found them falling seriously behind their contemporaries in the British R&B scene in a crucial respect. Art Gallery album Not one of the dozen tracks was a group original, and their vocal and interpretive ability was not so strong as to make that shortfall an irrelevance.(1966)

Enjoy:http://www.mediafire.com/download/p8fdxxuvsadt3og/Art+Gallery.rar

Black Merda were a funky rock combo with a significant debt to Jimi Hendrix, mixing fuzz-toned, psychedelic blues-rock with folky acoustic passages and contemporary late-'60s soul.

Enjoy:http://www12.zippyshare.com/v/25803980/file.html

HARVEY MANDEL -- SHANGRENADE -- 1973 (US) jazzy funky rock
One of his most brilliant and most original creation since leaving Canned Heat.
There are original licks and riffs there, which were copied, immitated or inspired many other greats from Jeff Beck, to Al Di Meola, to Jan Hammer.

Enjoy:http://netkups.com/?d=758862469fcf2

Here’s a terrific private press rarity that’s completely fallen under the radar. It’s way better than multi-hundred-dollar singer-songwriter/folk-rock/soft pop rarities like Richard Soutar or Mick Stevens and the entire brigade of albums inaccurately compared to Michael Angelo. Like all of those records, there’s scant amount of fuzz guitar or trippiness here. But there’s some excellent lead guitar, occasional use of hippie instruments like conga and flute, a bit of moog, unusual chord progressions and thoughtful, intelligent songwriting to go along with the requisite vocal harmonies and acoustic guitars. It’s also much less wimpy than your average CSN-influenced private press album. The highlights are “...and dream,” which has some great lead guitar, and “Eye to eye,” which rocks out (and, admittedly, veers a tad toward prog). The rest of the album is quite good too. Neat album cover; you’d think that alone would have attracted attention to it. Snap it up quick before it gets discovered and the price balloons. About 1500 copies were pressed. [AM]
Stephen Spano - Eye to Eye (Adelphi, 1975)

Enjoy:http://www.mediafire.com/download/nbobukcblw9yz9a/spano.rar

Blues Section is considered a seminal and ground-breaking band in Finnish rock music. They started in 1967, formed around the vocalist Jim Pembroke, a British expatriate song-writer now living in Finland.

Blues Section - Blues Section (1967)

Enjoy:http://dfiles.eu/files/permclo9s

We Five-You Were On My Mind(1965)

folk-rock

Enjoy:http://www2.zshares.net/o9r96tishgcs

Willie Hutch-The Mark Of The Beast ( 1974)

Soul, Funk

Enjoy:http://turbobit.net/lxc66bh9du72.html

AZTECA, formed in 1972 in Oakland, was the vision of brothers Coke and Pete Escovedo following their successful time playing along side Latin-funk trailblazers, Santana. They are widely regarded to be the first large-scale group that combined multiple musical elements centred around and built as a Latin orchestra.

Enjoy:http://turbobit.net/2m9w7wfztg7u.html

Please were formed by Peter Dunton and Bernie Jinks in late 1967. They had just returned to Britain from Germany where they had played with Neon Pearl, which also included their third member Jurgen Ermisch. The fourth original member Adrian Gurvitz later co-founded Gun.

Tina & David Meltzer - Lullaby [Poet Song] 1968
Singer Tina Meltzer and her husband, poet/singer/songwriter David Meltzer, were the main creative forces in the Serpent Power, a minor late-'60s San Francisco Bay Area psychedelic band that did one album for Vanguard Records. In 1969, the duo cut a record on their own for Vanguard "Poet Song", mixing David Meltzer's spoken poems with gentle, bittersweet psychedelic-tinged folk-rock tunes, usually sung by Tina Meltzer. The album is nice enough. It's more assured and less derivative than the David Meltzer-penned psychedelic music on the Serpent Power's LP.