(1968)

One of the earliest and finest jazz-rock flutists, Jeremy Steig is an outstanding soloist. He's mastered the entire flute family, including bass, and also plays piccolo well. He has a similarly rich, classically pure tone and timbre as James Newton or Hubert Laws, and uses almost as many devices, such as tongue fluttering, humming, and swirling lines. But he's not as blues- or swing-oriented, and his associations include working in the early '60s with Richie Havens and heading Jeremy and the Satyrs in 1967.

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The group used slightly fuller and more pop-savvy arrangements on their second LP, without tinkering much with their basic approach. This is especially apparent on the album's two hit singles (the title track and "Look What You've Done"), which sound like attempts to invest coffeehouse folk with the grandiose pop-rock structure of "You've Lost That Lovin' Feelin'." The similarity of both tracks to that Righteous Brothers classic is really too evident to escape comment, especially given that the trio had covered the song on their previous album. Elsewhere they opted for more up-to-date cover material than they had for their debut LP, offering versions of songs by Phil Ochs, Tim Hardin, and Gordon Lightfoot. (1967)

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The Artwoods’ only album was an enjoyable mixture of club-oriented soul, R&B, and jazz with a strong organ spice, although it found them falling seriously behind their contemporaries in the British R&B scene in a crucial respect. Art Gallery album Not one of the dozen tracks was a group original, and their vocal and interpretive ability was not so strong as to make that shortfall an irrelevance.(1966)

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Black Merda were a funky rock combo with a significant debt to Jimi Hendrix, mixing fuzz-toned, psychedelic blues-rock with folky acoustic passages and contemporary late-'60s soul.

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